Since dubstep is like a cooler cousin of EDM music, it shouldn't be a surprise when we tell you that all you need to make songs of this genre is a laptop and the right software. Learning dubstep isn't that hard if you know where to start and in this guide, we'll lay out not only everything you need to make such music but also tell you how to use these tools effectively. Since we aren't dealing with a limited range of instrumentals but innumerable combinations of sounds, dubstep is certainly an energy-producing art. Not only that, but it also makes you realize the incredible abstract nature of the music itself. Listening to dubstep even once makes you realize the incredible creativity, sound engineering, and production efforts that go into the production of a song. Dubstep uses heavy bass for the drops in its songs while electronic music uses vocals or drums or other instrumentals (sometimes, even a combination). Although dubstep and electronic music are very similar to each other, they have one huge difference. It wouldn't be an exaggeration to say that listening to dubstep makes you feel like it came from aliens who were pumping caffeine and energy drinks while producing the music. However, a strikingly similar yet uniquely flavored genre of music popped up in the previous decades, "Dubstep". With the highly synthesized sounds being played in perfect rhythms along with impactful drops from drums and vocals, it's no surprise that this type of music is a popular genre. For higher-pitched results, try a female vocal, and for lower pitches, opt for a male vocal.Electronic music has always had a flare and energy to it that other genres didn't have. Over the next 18 steps, you’ll learn all the basics you need to create your own unique chops in FL Studio. Making the perfect vocal chops might seem daunting but follow this tutorial and you’ll see that the technique isn’t terribly difficult. Mess about with sound design and effects and you might create compelling results the likes of which you weren’t even looking for. You can of course layer vocal chops with other synths and samples but, with the right processing, they can be standalone features of your music. The beauty of vocal chops is that they can be fast or slow, high or low, snappy or delayed, round or squared, purple or blue, whatever it takes to light the spark and lift your tracks to another level. When creating vocal chops, it’s important to keep an open mind – the results can be completely unexpected. If you can’t access any, check out the Vocal Map included in FL Studio. It doesn’t have to be the full song – a single chorus, verse or even sentence is enough. Here, however, we advise that you begin by using a clean a capella version of a song you know and like. Practically any audio will do – and the vocal doesn’t even have to be clean, though it will help. You could use a straight-laced recording of your own voice, a daft voice clip from a friend, or audio of a sibling screaming obscenities at you. Try and apply them to any and every one you can find – the biggest sample treasures are often found in the unlikeliest of places. The techniques we’re exploring in this tutorial can be applied to any vocal. Fresh startĪny vocal or a capella that you can source from the real world or the web can form the starting point for characterful vocal chops. The biggest reggaeton hit of 2017, Mi Gente by J Balvin and Willy William, is characterised by its catchy vocal-chop melody. Vocal chops are used frequently in dubstep, as well as wider subgenres of EDM such as future house, and big-name producers such as Martin Garrix and Diplo have used the method to spice up their songs. The electronic producer still incorporates vocal chops in his productions today, just listen to his 2019 track Mumbai Power. For example, the main vocal of Three Six Mafia’s 2008 rap hit Stay Fly featured a stutter, and Skrillex’s 2010 global smash Scary Monsters And Nice Sprites exposed the world not only to dubstep but to vocal chops too. Over the past 10 to 15 years, vocal chops have cropped up in multiple genres and featured in many chart-topping songs. Though vocal chops were not nearly as prominent in the 1980s as they are today, the VSS-30 made it possible and, as a result, the keyboard is still highly regarded by modern-day producers. Users could therefore record and modify their own voice and implement the resulting clips in their melodies. The product allowed users to record two-second clips of any sound and play them back instantly. One of the most notable came in 1987, when Yamaha released its VSS-30 Digital Voice Sampler. In the 1980s, multiple companies released keyboards that could record and manipulate sounds and voices.
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